



Currently an art student in California, but was born and raised in México. Title is Spanish for "drawing cartoons", which is pretty much all I do. Besides art, I like animals, mythology, and good stories. I'm also a twin.
I volunteer as a docent at the local zoo.
Sabertooth diaries 1: excavating old sketches by Mauricio Antón
“As the publication of my book ”Sabertooth” comes closer, I am trying to put some order in the mass of material I have been working with during the last few years. It is interesting to leaf through those fat folders full of sketches, some of them dating from MANY years ago: it refreshes my memory about some of the main subjects I have dealt with in the book, and in fact, it motivates me to tackle some of these subjects again, in anticipation for the next book (title to be disclosed at some point in the future…).
Here are some of those “paleo-sketches” (in the whole sense of the word!). They date from more than 15 years ago (Gosh!) and were my early attempts to put together observations about key aspects of big cat anatomy, especially related to hunting…(these drawings do not appear in the book or anywhere else in this form, so this is a sort of exclusive…)
In the years after I did these sketches I have found many fascinating things about these aspects of felid anatomy, which I have tried to reflect in the new book. These days I am preparing a short video about some of these things, I expect to be posting it soon!”
- First image: “compares the “primitive” skeletal porportions of the early cat Pseudaelurus (left) with those of the very different cheetah (Acinonyx) and sabertooth (Smilodon). Obviously, the skeletons and cats are not shown to scale”
- Second image: “shows aspects of the anatomy of the cheetah, with special attention to the lumbar vertebrae. For the fun of it, I also included a body size comparison betwen the modern cheetah and the extinct species Acinonyx pardinensis. Back then I was already puzzled by the possible meaning of the changes in body proportions during the evolution of sabertooths, and in particular in the shortening of the lumbar vertebra in many species”
- Third image: “shows the sequence of events during a hypothetical hunt by the sabertooth Smilodon: the chase (top); the wrestling struggle (middle); and the killing bite (bottom)”
- Fourth image: “shows the crucial point when the cat attempts to pull a large prey down to the ground, and it highlights some of the muscles relevant for that action”
(Image and text source: Chasing Sabretooths; via @Laelaps on Twitter)
Mauricio Freakin’ Antón!! @_@ His stuff is just too awesome! <3
(vía lmh3)
(Fuente: liquidcassidy, vía demonml)
Before we begin: being confident is not synonymous with turning into an ego driven delusional maniac, just as being humble is not synonymous with being self-deprecating and negative. Okay? Got it? Awesome.
Why should you care about being more confident? Ultimately you will feel better as an artist, you will feel better about your work, other people will feel better about you and your work, and you’ll attract other artists with the same attitude, which in turn will likely motivate you to be more positive about your own work and about the work of others. All good things!
As artists we all seem to think that an attitude of negativity is the one that is most acceptable when it comes to ourselves and our work. That is wrong. I’m here to (hopefully) encourage a more positive outlook on ourselves as artists and our work!
- Accept compliments. When someone pays you a compliment, say ‘thank you’. Don’t say ‘thank you, but I don’t deserve it,’ ‘Thank you but there are better artists out there than me’. ACCEPT IT. Own it. Realise that someone liked your work enough to tell you! Don’t insult them by saying ‘your taste is bad’, because when you throw back a compliment, that’s what you’re saying. You’re also saying you’re not good enough, and you ARE good enough!
- Don’t compliment other artists by undermining yourself. ‘I love your work’. There you go. YOU’VE DONE IT. YAY! You’ve paid a compliment to another artist without tearing yourself down! Don’t ever say ‘I love your art; I’ll never be as good as you.’ ‘Your art is so good, it makes me want to stop drawing forever.’ God, no one wants to hear that. No one wants to deal with that. ‘Your art is so wonderful, it really inspires me to keep working on my own’. THAT’S the real compliment you wanted to pay.
- Speak positively about your work. If you don’t care about your work, if you don’t like your work, then why should anyone?
Don’t send mixed signals where you post your work (ok, cool, so, you want us to care), then you say ‘this sucks, I’m terrible, another awful piece from me’ (??? what’s going on), then someone tentatively decides to battle through the confusion to tell you, ‘no, your artwork is great!’ and you respond ‘no, it sucks,’ (what do you want from me?!)
It is TIRING being around artists who don’t like their work and who constantly need third-party feedback that they throw back anyway. Don’t be the kind of artist that hijacks someone else’s livestream to post their art all over the chat, only to say how much you hate it, and how you think the artist streaming is so much better, and everyone just sits there in awkward silence because 1. you’re so desperate for approval you’ve hijacked someone else’s audience 2. no one knows how to deal with you.
It is DIFFICULT to talk to artists who hate their own work, who always speak negatively of the things they produce. No one wants to be around anyone who constantly moans about how their work just isn’t as good, who constantly acts like a little child threatening to give up an activity forever just because they’re not good at it. Maybe you’re not good at it because you think you’re not good at it and it’s a self-fulfilling prophecy. Quit it. ‘I’m not where I want to be now, but I will work hard and I will get there.’ Better already.- Don’t speak about your work as if it is always in the shadow of someone else’s. This just breeds jealousy and discontent. There are so many confessions where artists state that they get so terribly jealous when a friend is perceived to be ‘better’ than them at art that they want to give up. WHAT. That is the saddest thing to know that the success of another artist is enough for some people to want to quit.
You will never be as good as artist x or y because you are NOT artist x or y. You are all on your own unique journey, your art is unique, the things you make and what you learn as an artist, are unique, so they are not comparable. Think of your art as a unique, individual entity. The success of someone’s art has no effect on your own. YOU are the effect on your art.
It’s like you and a neighbour decide to start renovating your houses. And after a while you look over the fence and you realise, oh my God, my neighbour’s house is so nice. And you get obsessed with it. And you get bitter about it. And it gets uncomfortable everytime your neighbour calls you over and tells you how proud they are of their house and you just sullenly say ‘it’s better than mine’. Awkward. And you wonder why everyone goes over your neighbour’s house all the time, why don’t they go over to YOUR house? Maybe it’s because you got so focused on your neighbour you stopped working on your house, and in the times you did, you didn’t enjoy it, you kept looking at your neighbour, and everybody can tell. Don’t be like that. It’s OK to admire other people’s houses but always work on your own, and don’t lose sight of it.- Bad art happens. Get over it. Not everything you turn out will be a masterpiece (and by this same rule, not everything you turn out is the rotting rat carcass fished up from the sewers that you seem so intent on making everyone believe it is). Don’t beat yourself up about it. Yawn. That’s boring. We all produce bad art, cry me more artist tears about it, I don’t care, no one cares. Bad art doesn’t last forever. One piece, two pieces, fifty pieces of bad art doesn’t mean you’re a bad artist. Bad art helps you learn. All art helps you learn. You don’t need to shout to the world about how disappointed you are with a piece. ‘God this is so bad …’, oh no here we go, we’ve heard this before, ‘because I know I can do better/I have done better. Because it didn’t turn out how I wanted, but I’m going to try again. But it was fun and I learned a lot from it. But it makes me laugh and I’m not actually that disappointed.’ Oh? What a plot twist. Bad art isn’t a sign of your failures, it’s a sign that you’re learning and growing. Embrace it.
- You are worth it and your art is worth it. That’s really all you’ve got to remember! Repeat it in the mirror every day until you believe it. Own it and be the best artist you can be. (´∀`)
I need this
Cats on the Brink - Endangered Felids: Andean Cat
by Jaymi Heimbuch
We go from the huge tiger to the tiny wild cat that looks like it could be a house cat! This is the Andean Cat, and before 1998, the only evidence scientists had that it existed at all was two photographs. This small mountain cat is so similar in habitat and appearance — preferring high altitudes and its body shape and coloring — that it is considered the tiny version of the snow leopard.But unlike the snow leopard, there is far less conservation funding to help this cat. The Andean Cat Alliance and the Small Cat Conservation Allianceare the two groups mainly helping this felid species. Fewer than 2,500 are thought to exist today, with a declining population due to a loss of habitat and prey, and due to hunting for traditional ceremonial purposes.(read more: TreeHugger) (photo: Jim Sanderson)
I am a Pretty Good Artist. I have worked professionally since 2006. I have worked on properties like G.I. Joe, My Little Pony, Transformers, and a host of others. You can see my work everywhere, from toy packages to comic books to DVD covers. I currently work for MinoMonsters, where I have designed everything from the monsters themselves to the environments they live in. I have done a lot of things, now that I look back on it.
And my artwork makes me CRAZY. Absolutely bonkers.
Oh, there are standout pieces that I like. They’re probably different from the ones you prefer (although we both align on ManSkitty). But it never feels like enough, at least to me. To me, my work is never good enough—not drafted well enough, not rendered enough, not colored right, not composed right, too stiff or too floppy or this or that or anything and everything. I can point out a hundred thousand flaws, and a hundred thousand artists who do what I do but who do it better.
I say this not to fish for compliments, but to give a shout out to my fellow frustrated artists—which I am coming to learn, slowly, is pretty much all of us at one time or another. We all drive ourselves nuts. Our need to keep improving is compulsive. It’s equal parts horrendous and wonderful. We—I—keep pushing and trying to reach something like satisfaction, even if we don’t know what, artistically, that is.
It was bad before the proliferation of the internet, but oh god! My Tumblr dash is like an inferiority complex, delivered right to my eyes. It pushes me to get better—and it pushes me to remember that sometimes, it’s best to unplug for a bit.
So here’s to every person who’s ever drawn something they hate, or compared themselves to others, or looked at their work and muttered ‘why do I even BOTHER.’ SHINE ON, YOU CRAZY DIAMONDS. I’ll be shining right with you. <3
Best & most motivating pep talk. This is just what I needed <3 Thank you!
lmh3:
Love this woman <3
Terryl Whitlatch, being a babe.. As always :)
I was at this presentation/talk!
In fact, that’s me at 1:07:42! :D (Man, I did not film well that day…)
Practice for a (long overdue) commission, doubling as an excuse to test out my newly acquired inking skills :D
Both characters belong to Quail
Whoo, the semester is over! :D Time to rest, relax, and try to get a job.
With any luck, I’ll actually manage to land one this year…
Haunted house that takes people’s picture as they’re walking through.
i’m crying.
I CAN’T DECIDE WHICH FACE I LIKE BEST
(Fuente: snugglybutt, vía aacrell96)